Stuart Clark Makes Kepler and Galileo Live Through Fiction

Doctor Stuart Clark, Image courtesy of Simon Wallace,

Image courtesy of Simon Wallace,

The way Stuart Clark describes the fascinating lives of Johannes Kepler and Galileo Galilei, he could almost be talking about the plot of a novel.

Oh, wait – he is. Clark recently gave a talk at the Isobel Bader Theatre in Toronto, promoting his new novel, The Sky’s Dark Labyrinth, the first in a trilogy about the lives of perception-changing scientists. Clark didn’t do a reading, but just described the facts behind the events in the book. And despite a dose of jet lag (he’d just flown in from London, England), he kept the audience riveted. Did you know it was Kepler’s interest in astrology that led him to the discovery of his three laws of planetary motion? Did you know Tycho Brahe kept a pet elk in his castle, free to roam the entire place and eat from the table??

Clark, a well-known astronomy journalist with a PhD in astrophysics, has planned his trilogy not merely to try interest people in science and those who practise it. He wants to illustrate just how dramatically society’s entire view of what the universe is and how it works was changed by a few pivotal scientists. So in his next novel, The Sensorium of God, he’ll feature Isaac Newton and Edmund Halley, and The Day Without Yesterday will complete the trilogy with the lives of Albert Einstein, Edwin Hubble, and George Lemaitre.

Clark frames the explorations of Kepler and Galileo as part of the quest for the Theory of Everything. Any lay person who follows popular science through books, articles, or documentaries will recognize that phrase. Scientists today are still trying to find that one, all-encompassing theory that will explain everything from the behaviour of the most fundamental particles of which the universe is made, all the way up to the behaviour of gigantic galaxies and stars.

But when Kepler and Galileo began, their society believed they already had the Theory of Everything: astrology. Kepler was trying, in fact, to establish principles for the movement of heavenly bodies so astrologers would have better data with which to work. And many other scientists who studied the stars were working to an extremely religious agenda, trying to find a way to sync their imperfect calendars with the actual seasons, so the dates of religious events and rituals would occur at the right time of year. As Clark told his audience, when Galileo was forced to read a prescribed recantation, he refused to read the part where he confessed to being a bad Catholic. He simply was not, and the church ultimately agreed.

Picture of front cover of The Sky's Dark LabyrinthClark described both the times and surroundings these two scientists lived in, as well as the development of their thought. He moved from events to theory, and back again, with delightful ease. And all his explanations were easy to understand, no matter what he described. It’s not hard to see why he moved away from the world of academic research into that of astronomy writing. He brings alive the subjects he describes, so almost anyone can understand them. He currently writes for the European space Agency as the senior editor for space science, was formerly the editor of Astronomy Now, and regularly writes articles for such publications as The Times, New Scientist, and BBC Sky at Night.

Clark is in Toronto (with a few days in Montreal) for two reasons. First, he did this talk and a colloquium as part of the outreach of the newly-established Dunlap Institute for Astronomy & Astrophysics at the University of Toronto. The institute does experimental research, but also conducts outreach into the community, to educate and share the passion of astronomy. It’s a testament to Dr. Clark’s qualifications and his skill in handling his subject that a work of fiction would be considered an opportunity for scientific outreach.

He’s also here for the International Festival of Authors, to promote The Sky’s Dark Labyrinth simply as a work of fiction. Whatever discussions he might engage in, or whatever readings he might do, his audience is due for a treat. His novel straddles science and and fiction the way he himself straddles science and journalism. And on either side of that divide, his writing makes the subject intriguing and understandable.


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